Additional album details including tracklist and U.S. No Geography follows the British duo’s GRAMMY®-nominated 2015 album, Born In the Echoes, which was their sixth consecutive UK No. The Chemical Brothers have announced their ninth studio album, No Geography. Tickets for both shows will go on sale to the general public on Friday, December 7 at 10:00 AM via AXS.com. These Los Angeles dates will be their first live shows in the market since 2015. The Black Madonna will support both performances. The Shrine is not for every act, but for those with the wherewithal to fill it like the Chemical Brothers, possibilities present themselves.Today, The Chemical Brothers have announced two massive Los Angeles, CA performances at Shrine Expo Hall at 8:00 PM and at The Greek Theatre at 7:30 PM. With the crowd moving such much already, the inflatables only added to the fun. Honestly, the most stimulating props ended up being a set of giant balloons unleashed upon the audience. A group of dancers in suits resembling the wrinkles of a Shar Pei stood out with their fleshy rolls, and two gigantic, wind-up robots appeared for a brief but entertaining appearance. does much more than whip their hands in the air–which is fine! Some elements, such as the neon computer face used in “Hey Boy Hey Girl,” felt like the standard tricks pulled at other electronic performances, Disclosure’s own imagery coming to mind. Visual elements accompanied each of these songs since neither of the Bros. ![]() This blast from the past opened a portal to the rest of history, which included famed hits of their own such as “Elektrobank” as well as a cover of New Order’s “Temptation.” After a few cuts from Born in the Echoes and No Geography, their latest, “Swoon” swept itself into the mix. reminded us of their extensive, 20+ year career by submerging us beneath it. Humanoid figures and faces lived out their short-lived, repetitive lives behind the duo’s production space, which one figure appeared to dive into at the show’s onset.įrom there, the Chemical Bros. Beginning with the Q-Tip-assisted “Go!” the duo played against an ever shifting backdrop of neon green lines and shapes. Speaking of active hands, two gigantic, laser pink hands were one of the first visuals used at the start of the Chemical Brothers. That was not often, but crafting quality aural entertainment requires active hands. For her part, she looked thrilled, throwing her hands up whenever she got the chance to take them off her boards. The gays don’t just appear in droves for anyone (you need to prove your talent to us), and I loved seeing an act as unapologetically queer as Marea Stamper attract the same, fearless crowds. When I entered the venue, I was pleasantly struck by the number of queer people present in the crowd. And where that type of ‘80s sonic euphoria goes, queer people follow. Her proclivity for tasteful, driven synths and disco provided a warm up to the Brothers’ eventual onslaught of sound. ![]() To be fair, I cannot speak with firsthand experience to the Brothers’ Greek show, but I can say that the balloons they unleashed at the Shrine would not be as fun when you’re seated in an amphitheater.īefore the electronic duo took the stage, Black Madonna warmed the crowd up with a 90 minute set. ![]() Because of this, an act like Uchis failed where the Chemical Brothers exceled, and vice versa. ![]() The Shrine excels when you see an act with a strong visual element and tunes that induce hip shaking. I bless my stars I caught them at their earlier show. The Chemical Brothers, whom I witnessed at this past week at the Shrine, are more suited towards the Auditorium than the Amphitheater, though they just so happened to play both venues one after the other. Amazing what a scene change and a few months of practice makes – Uchis delivered at a level I never expected from her. However, I just so happened to luck out with a friend who invited me to her double bill with Jorja Smith at the Greek Theatre. The venue failed to carry her sound at all, and at that point she boasted few visuals that would help her fill such a space. For example, I saw Kali Uchis for the first time at the Shrine Auditorium at USC, and it overwhelmed her.
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